ABRUPTO

18.4.04


EARLY MORNING BLOGS 186

A Joana Pereira de Castro devo esta lembrança de “ uma das mais belas “early morning” jamais escritas.” Tem toda a razão: “De tão óbvia, sempre pensei que já tivesse sido incluída no Abrupto e na altura nem a sugeri. Qual não foi o meu espanto quando, na minha leitura integral, não a vi. Como é possível ainda não ter sido incluída? Anda alguém distraído? “. Eu, que ainda há pouco a tinha lido como "never ending story".



Juliet.
Wilt thou be gone? it is not yet near day:
It was the nightingale, and not the lark,
That pierc'd the fearful hollow of thine ear;
Nightly she sings on yond pomegranate tree:
Believe me, love, it was the nightingale.

Romeo.
It was the lark, the herald of the morn,
No nightingale: look, love, what envious streaks
Do lace the severing clouds in yonder east:
Night's candles are burnt out, and jocund day
Stands tiptoe on the misty mountain tops.
I must be gone and live, or stay and die.

Juliet.
Yond light is not daylight, I know it, I:
It is some meteor that the sun exhales
To be to thee this night a torch-bearer
And light thee on the way to Mantua:
Therefore stay yet, thou need'st not to be gone.

Romeo.
Let me be ta'en, let me be put to death;
I am content, so thou wilt have it so.
I'll say yon gray is not the morning's eye,
'Tis but the pale reflex of Cynthia's brow;
Nor that is not the lark whose notes do beat
The vaulty heaven so high above our heads:
I have more care to stay than will to go.--
Come, death, and welcome! Juliet wills it so.--
How is't, my soul? let's talk,--it is not day.

Juliet.
It is, it is!--hie hence, be gone, away!
It is the lark that sings so out of tune,
Straining harsh discords and unpleasing sharps.
Some say the lark makes sweet division;
This doth not so, for she divideth us:
Some say the lark and loathed toad change eyes;
O, now I would they had chang'd voices too!
Since arm from arm that voice doth us affray,
Hunting thee hence with hunt's-up to the day.
O, now be gone; more light and light it grows.


(Shakespeare)

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© José Pacheco Pereira
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